Amelia takes a critical geographies approach to post-mine landscape planning, with an emphasis on identifying and tracing small-scale systems of disruption and knowledge emergence amongst local stakeholders.

While radical and innovative landscape design in European and North American post-mine planning is becoming increasingly common, Australian open cut mines remain bound to more conventional and rehabilitation-focused final land use and visual amenity decision-making processes. My research takes the position that more comprehensive recognition of a wider range of ideas around landscape planning throughout the life of mine would lead to more responsive final landforms, while also improving communication and facilitating shared understanding across internal and external stakeholders. As such, I adopt a feminist geographies framework, and look to recognise and map parallel, competing understandings and experiences of the mining landscape through an application of Actor-Network Theory.

Having recently completed my mid-candidature milestone, marking the two year point of my research, I am undergoing the data collection and analysis stages of my project. The fieldwork site I am focusing on is Leigh Creek, a region with a recently closed coal mine in the South Australian Outback.

Biography

Since discovering the field of Human Geography early in my PhD, I have been working towards establishing myself as a critical geographer. Like many in geography, I have come from a diverse educational background. Finishing my Bachelor in Interior Design in 2010 and armed with a design thinking ethos, I realised my interests lay more towards semiotics and the role of design as a persuasive tool. Following this line of thinking, I undertook my Masters in Museum Studies, which I completed in 2013. During this time I cultivated a strong interest in the crossover between art and science, and my dissertation looked at the science museum as an educational institution, investigating the idea and ethics of representing 'unfinished' science within it. Combining my interest in spaces and industrial landscapes with my work in representations of science, I have refocused on the Anthropocene, and have fostered a speciality in post-mine landscape design and planning. I have also established a strong theoretical interest in feminist geographies, and hope to follow this into the future.

Key Publications

Kirsch, P., Hine, A., Maybury, T. (2015). A model for the implementation of industry-wide knowledge sharing to improve risk management practice. Safety Science 80: 66-76.

Hine, A., Medvecky, F. (2015) Unfinished Science in Museums: a push for critical science literacy. Journal of Science Communication 14:2.

Rifkin, W., Hine, A. (2015) The Case for Student-Generated Digital Media Assignments in Science Courses, in Hoban, G. et al. (ed.) Student-generated Digital Media in Science Education: Learning, explaining and communicating content, Routledge, 13-24.

Kirsch, P., Hine, A., Amizlev, I. (2014) Red Mud: Art and the Post-Mining Landscape, Artlink Magazine, Adelaide 34:4, 35-39.

Hine, A., Kirsch, P. (2017) Dreams of futures past: Curating post-mining landscapes, in Start to Finish: A Life-of-Mine Perspective, Spectrum Series, AusIMM [forthcoming, final proofs].

Full list of publications available on espace

Funding

​Japan Coal Development Australia (JCDA) Scholarship
Awarded $5000 through a competitive process within the Sustainable Minerals Institute, UQ, for use within coal related research. 

Graduate School Travel Award (GSITA) 2016
Awarded $5000 to fund a three week trip to present at a conference in London, attend the FORCCAST Summer School at Sciences Po in Paris with guest lectures by Bruno Latour and Luc Boltanski, and go on a site visit to meet the IBA Fürst-Pückler-Land team and view the Lusatia lakes region in Eastern Germany.

Australian Postgraduate Award (APA) 2015-2018
Awarded $26,288 annually, for a period of three years. APA Scholarships are awarded to students of exceptional research potential undertaking a research higher degree in Australia.